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Shirley Jackson
More information about
her works-slight summaries
Shirley
Jackson has been a very prolific author. In all, Jackson has published, three
articles, four works of non-fiction prose, two family books, seven novels, one
play, one work of poetry, and more than fifty-five short stories. Jackson's
primary works which are most notable is the short story "The Lottery"(1948),
her two family books, "Life Among the Savages" (1953) and "Raising
Demons"(1957), a non-fiction prose "Witchcraft in Salem Village"(1956), and
her seven novels, "Road Through the Wall" (1948), "Hangsaman"(1951) "The
Bird's Nest" (1954), "The Sundial" (1958),"The Haunting of Hill House"(1959),
and "We Have Always Lived in a Castle" (1962). In Jackson's first novel, "The
Road through the Wall"(1948), she wrote of a snobbish neighborhood in suburban
San Francisco and sketched its moral collapse as a result of prejudice and
murder. This work affirmed Jackson's loathing of intolerance and bigotry. Her
short story, "The Lottery", also published in 1948 was about a town's
tradition of sacrificing a human so there would be a good harvest. "The
Hangsaman"(1951), her second novel, tells the story of a seventeen-year-old
Natalie Waite mercifully escaping her father's oppression by leaving home to
attend college. She does not have the social skills to adjust to the
uninhibited environment, however, and so she invents Tony, an imaginary female
friend. Tony soon becomes more frightening than friendly, and in a climactic
scene, Natalie is forced to choose between reality and her imaginary friend.
"Life Among the Savages"(1953) and "Raising Demons"(1957) are both about
family life in a small New England town, which is where Shirley Jackson lived
with her husband and children until her death last year. Jackson's next novel,
"The Bird's Nest" (1954), is a psychological study based on a true case of
multiple personality. Jackson's protagonist, Elizabeth Richmond, a somber,
bland woman who is convinced she is responsible for her mother's death,
invents alternate personas as a result of being unable to deal with guilt.
With the help of a psychiatrist and an eccentric aunt, Elizabeth gradually
regains control of her psyche. The novel is generally regarded as Jackson's
wittiest novel since it was lauded for its comic yet compassionate treatment
of mental disorder. In 1956, Jackson's non-fiction prose, "The Witchcraft of
Salem Village", was published. It's a simple, chilling account of the
witchcraft trials of 1692 and 93' when, because of testimony given by a group
of little girls, twenty persons were executed as witches and others died in
jail. "The Sundial", published in 1958, is an apocalyptic and satirical novel
that centers upon eleven boorish people who believe that the end of the world
is near. Seeking sanctuary in a sprawling gothic estate, they burn the books
in the library, irrationally stock the shelves with canned olives and
galoshes, play cards, and bicker endlessly. At the end of the novel, the group
is still waiting for Armageddon. A gothic manor again plays a crucial role in
"The Haunting of Hill House"(1959). This work concerns an experimental psychic
study held at Hill House, an eerie edifice that is presumed to be haunted.
Research participants include Eleanor Vance, a timid, repressed woman with
astonishing psychic powers. The other people brought to Hill House are
confident and self-centered and soon alienate Eleanor form the only
environment in which she was ever comfortable. Jackson's last novel, "We Have
Always Lived in the Castle"(1962) combines many of her most vital
concerns-psychology, isolation, and evil-with a curiosity in black magic. "We
Have Always Lived in the Castle" is the story of two sisters victimized by
their small New England village because of the unsolved mass murder of their
family. Although neighbors believe the murder was committed by Constance, the
older sister, Constance knows that her psychopathic younger sister Merricat
poisoned the family by putting arsenic in the sugar bowl. Throughout the story
there is much struggle with the villagers and their cousin Charles, which
results in Merricat burning down their mansion in order to kill Charles, but
in the end the sisters stay together. Here Jackson questions the traditional
definition of normality, suggesting that the villagers' violence is deviant
behavior, while Merrricat's actions are prompted by a psychological
disturbance that should evoke sympathy and understanding. "We Have Always
Lived in the Castle remains Jackson's most critically acclaimed novel.
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