William Faulkner



Biography
William Falkner wrote works of psychological drama and
emotional depth, typically with long serpentine prose and high,
meticulously-chosen diction. Like most prolific authors, he suffered the envy
and scorn of others, and was considered to be the stylistic rival to
Ernest Hemingway (his long sentences contrasted to Hemingway's short,
'minimalist' style). He is perhaps also considered to be the only true American
Modernist prose fiction writer of the
1930s,
following in experimental tradition European writers such as
James Joyce,
Virginia Woolf, and
Marcel Proust, and known for using groundbreaking literary devices such as
stream of consciousness, multiple narrations or points of view, and
time-shifts within narrative.
Faulkner was born William Falkner (no "U") in
New Albany, Mississippi, and raised in and heavily influenced by that state,
as well as the general ambience of the South. Mississippi marked his sense of
humor, his sense of the tragic position of Blacks and Whites, his keen
characterization of usual Southern characters and his timeless themes, one of
them being that fiercely intelligent people dwelled behind the facade of good
old boys and simpletons. An early editor misspelled Falkner's name as
"Faulkner", and the author decided to keep the spelling.
Some of his more popular works are
As I Lay Dying, The Unvanquished, and
The Sound and the Fury. His later masterpieces are considered to be
Absalom, Absalom!, The Reivers, and
Light in August. During the 1930s, in a sheer effort to make money, he
crafted a sensationalist "pulp" novel entitled Sanctuary. Its themes of
evil and corruption (bearing Southern Gothic tones), resonate to this day. The
sequel to the book, "Requiem
for a Nun", is the only play that he has published. It involves an
introduction that is actually one sentence that spans for a couple pages. He
received a
Pulitzer Prize for "A
Fable", and won a
National Book Award (posthumously) for his "Collected Stories". Although it
may not be immediately known, he was also an acclaimed writer of mysteries,
publishing a collection of crime fiction, Knight's Gambit, that starred Gavin
Stevens, an attorney, wise to the ways of folk living in Yoknapatawpha County.
He set many of his short stories and novels in his fictional
Yoknapatawpha County, based on--and nearly identical to in terms of
geography--Lafayette County, of which his hometown of
Oxford, Mississippi is the county seat; Yoknapatawpha was his very own
"postage stamp" and it is considered to be one of the most monumental fictional
creations in the history of literature.
In his later years Faulkner moved to
Hollywood to be a screenwriter (producing scripts for
Raymond Chandler's The Big Sleep and
Ernest Hemingway's To Have and Have Not--both directed by
Howard Hawks). Faulkner started an affair with a secretary for Hawks, Meta
Carpenter.
Faulkner was known rather infamously for his drinking
problem as well, and throughout his life was known to be quite an alcoholic.
He was awarded the
Nobel Prize in literature in
1949.
He drank shortly before he had to sail to
Stockholm to receive the distinguished prize. Once there, he delivered one
of the greatest speeches any literature recipient had ever given. In it, he
remarked "I decline to accept the end of man...Man will not only endure, but
prevail..." Both events were fully in character. Faulkner donated his Nobel
winnings, "to establish a fund to support and encourage new fiction writers",
eventually resulting in the
PEN/Faulkner Award for Fiction.
Works by date of first publication:
Novels
 | "Landing in Luck" (1919) |
 | "The Hill" (1922) |
 | "New Orleans" |
 | "Mirrors of Chartres Street" (1925) |
 | "Damon and Pythias Unlimited" (1925) |
 | "Jealousy" (1925) |
 | "Cheest" (1925) |
 | "Out of Nazareth" (1925) |
 | "The Kingdom of God" (1925) |
 | "The Rosary" (1925) |
 | "The Cobbler" (1925) |
 | "Chance" (1925) |
 | "Sunset" (1925) |
 | "The Kid Learns" (1925) |
 | "The Liar" (1925) |
 | "Home" (1925) |
 | "Episode" (1925) |
 | "Country Mice" (1925) |
 | "Yo Ho and Two Bottles of Rum" (1925) |
 | "Music - Sweeter than the Angels Sing" |
 | "A Rose for Emily" (1930) |
 | "Honor" (1930) |
 | "Thrift" (1930) |
 | "Red Leaves" (1930) |
 | "Ad Astra" (1931) |
 | "Dry September" (1931) |
 | "That Evening Sun" (1931) |
 | "Hair" (1931) |
 | "Spotted Horses" (1931) |
 | "The Hound" (1931) |
 | "Fox Hunt" (1931) |
 |
Carcassonne (1931) |
 | "Divorce in Naples" (1931) |
 | "Victory" (1931) |
 | "All the Dead Pilots" (1931) |
 | "Crevasse" (1931) |
 | "Mistral" (1931) |
 | "A Justice" (1931) |
 | "Dr. Martino" (1931) |
 | "Idyll in the Desert" (1931) |
 | "Miss Zilphia Grant" (1932) |
 | "Death Drag" (1932) |
 | "Centaur in Brass" (1932) |
 | "Once Aboard the Lugger (I)" (1932) |
 | "Lizards in Jamshyd's Courtyard" (1932) |
 | "Turnabout" (1932) |
 | "Smoke" (1932) |
 | "Mountain Victory" (1932) |
 | "There Was a Queen" (1933) |
 | "Artist at Home" (1933) |
 | "Beyond" (1933) |
 | "Elly" (1934) |
 | "Pennsylvania Station" (1934) |
 | "Wash" (1934) |
 | "A Bear Hunt" (1934) |
 | "The Leg" (1934) |
 | "Black Music" (1934) |
 | "Mule in the Yard" (1934) |
 | "Ambuscade" (1934) |
 | "Retreat" (1934) |
 | "Lo!" (1934) |
 | "Raid" (1934) |
 | "Skirmish at Sartoris" (1935) |
 | "Golden Land" (1935) |
 | "That Will Be Fine" (1935) |
 | "Uncle Willy" (1935) |
 | "Lion" (1935) |
 | "The Brooch" (1936) |
 | "Two Dollar Wife" (1936) |
 | "Fool About a Horse" (1936) |
 | "The Unvanquished" (1936) |
 | "Vendee" (1936) |
 | "Monk" (1937) |
 | "Barn Burning" (1939) |
 | "Hand Upon the Waters" (1939) |
 | "A Point of Law" (1940) |
 | "The Old People" (1940) |
 | "Pantaloon in Black" (1940) |
 | "Gold Is Not Always" (1940) |
 | "Tomorrow" (1940) |
 | "Go Down, Moses" (1941) |
 | "The Tall Men" (1941) |
 | "Two Soldiers" (1942) |
 | "Delta Autumn" (1942) |
 | "The Bear" (1942) |
 | "Afternoon of a Cow" (1943) |
 | "Shingles for the Lord" (1943) |
 | "My Grandmother Millard and General Bedford Forrest
and the Battle of Harrykin Creek" (1943) |
 | "Shall Not Perish" (1943) |
 | "Appendix, Compson, 1699-1945" (1946) |
 | "An Error in Chemistry" (1946) |
 | "A Courtship" (1948) |
 | "Knight's Gambit" (1949) |
 | "A Name for the City" (1950) |
 | "Notes on a Horsethief" (1951) |
 | "Mississippi" (1954) |
 | "Sepulture South: Gaslight" (1954) |
 | "Race at Morning" (1955) |
 | "By the People" (1955) |
 | "Hell Creek Crossing" (1962) |
 | "Mr. Acarius" (1965) |
 | "The Wishing Tree" (1967) |
 | "Al Jackson" (1971) |
 | "And Now What's To Do" (1973) |
 | "Nympholepsy" (1973) |
 | "The Priest" (1976) |
 | "Mayday" (1977) |
 | "Frankie and Johnny" (1978) |
 | "Don Giovanni" (1979) |
 | "Peter" (1979) |
 | "A Portrait of Elmer" (1979) |
 | "Adolescence" (1979) |
 | "Snow" (1979) |
 | "Moonlight" (1979) |
 | "With Caution and Dispatch" (1979) |
 | "Hog Pawn" (1979) |
 | "A Dangerous Man" (1979) |
 | "A Return" (1979) |
 | "The Big Shot" (1979) |
 | "Once Aboard the Lugger (II)" (1979) |
 | "Dull Tale" (1979) |
 | "Evangeline" (1979) |
 | "Love" (1988) |
 | "Christmas Tree" (1995) |
 | "Rose of Lebanon" (1995) |
 | "Lucas Beauchamp" (1999) |